Mihae Lee |
Hyunah Yu |
The program begins with Robert Schumann's Adagio and Allegro, Op. 70, for horn and piano, performed by William Purvis and Mihae Lee. Hyunah Yu will then perform a set of five of Schumann's most beloved songs with Mihae Lee, and William Purvis will join them for Schubert's famous work, "Auf dem Strom" (By the River).
All Chestnut Hill Concerts programs take place on Friday nights at 8:00 pm at the Katharine Hepburn Cultural Arts Center (The Kate), 300 Main Street in Old Saybrook, Connecticut. Single tickets are $35 for orchestra seats and $30 for the balcony. Kids and Teens come free, when accompanied by an adult. To purchase tickets, contact The Kate box office at 860-510-0453, or visit www.thekate.org.
More
about the artists
Ronald
Thomas, cellist, has been Artistic Director of Chestnut Hill
Concerts since 1989. He sustains one of the most active and varied careers in
today's music world as performer, teacher, and artistic administrator. Former
principal cellist of the St. Paul Chamber Orchestra, he is the newly-appointed
Artistic Partner of the Mainly Mozart Festival in San Diego. His solo
appearances include performing with the Philadelphia Orchestra, the St. Louis,
Baltimore and Seattle Symphony Orchestras, the Hong Kong Philharmonic, the
Handel and Haydn Society and Pro Arte Chamber Orchestras of Boston and the
Blossom Festival Orchestra, among many others. Mr. Thomas has played recitals
in virtually every state in the United States as well as New York City,
Washington, D.C., Boston and Los Angeles, and numerous concerts in Europe and
Asia. In great demand as a chamber music collaborator, Mr. Thomas is also
co-founder and artistic director emeritus of the Boston Chamber Music Society
and has appeared with the Chamber Music Society of Lincoln Center both at Alice
Tully Hall and on tour. Other chamber music appearances include the Seattle,
Bravo! Colorado and Portland Chamber Music Festivals, and the Spoleto, Blossom
and Yale at Norfolk Festivals, as well as the festivals of Dubrovnik, Edinburgh
and Amsterdam. Mr. Thomas was a member of the Players in Residence committee
and the Board of Overseers at Bargemusic in New York. While he was member of
the Boston Musica Viva and the Aeolian Chamber Players he premiered countless
new works, including compositions by Gunther Schuller, Michael Colgrass, Ellen
Zwillich, Donald Erb, William Bolcom and William Thomas McKinley. Before
winning the Young Concert Artists auditions at nineteen, Mr. Thomas attended
the New England Conservatory and the Curtis Institute. His principal teachers
were Lorne Munroe, David Soyer, and Mary Canberg
Violinist Jennifer Koh is recognized for her
intense, commanding performances, delivered with dazzling virtuosity and
technical assurance. She is dedicated to performing the violin repertoire of
all eras from traditional to contemporary, believing that the past and present
form a continuum. Since the 1994-95 season when she won the International
Tchaikovsky Competition in Moscow, the Concert Artists Guild Competition, and
the Avery Fisher Career Grant, she has been heard with leading orchestras
worldwide. Also a prolific recitalist, she appears frequently at major music
centers and festivals. The exploration of Bach's music and its influence in
today's musical landscape has played an important role in her artistic journey.
Her "Bach and Beyond" recital series explores the history of the solo
violin repertoire from Bach's Sonatas and Partitas to works by modern day
composers including commissions; she frequently performs all six Sonatas and
Partitas in a single concert; and her "Two x Four" project, with her
former teacher from the Curtis Institute of Music violinist Jaime Laredo, pairs
Bach's Double Violin Concerto with newly commissioned double concerti. She
recently launched a video series "Off Stage On Record" that gives a
behind-the-scenes look at the life of a concert artist on her YouTube channel, www.youtube.com/jenniferkohviolin.
Ms. Koh regularly records for the Cedille label. Her recording featuring works
from her first "Bach and Beyond" recital was chosen as one of the
best recordings of 2012 by the New York Times. Her most recent album "Two
x Four" was released in April 2014.
Praised by Boston
Globe as "simply dazzling," Korean-born pianist Mihae Lee has
captivated audiences throughout North America, Europe, and Asia in solo
recitals and chamber music concerts, in such venues as Lincoln Center, the
Kennedy Center, Jordan Hall, Berlin Philharmonie, Academia Nationale de Santa
Cecilia in Rome, Warsaw National Philharmonic Hall, and Taipei National Hall.
She is an artist member of the Boston Chamber Music Society and a founding
member of the Triton Horn Trio with violinist Ani Kavafian and hornist William
Purvis. Ms. Lee has appeared frequently at numerous international chamber music
festivals including Dubrovnik, Amsterdam, Groningen, Festicamara (Colombia),
Seattle, OK Mozart, Mainly Mozart, Music from Angel Fire, Chamber Music
Northwest, Arizona Friends of Chamber Music, Rockport, Bard, Norfolk, Music
Mountain, and Monadnock Music. She has been a guest artist with the Chamber
Music Society of Lincoln Center, St. Paul Chamber Orchestra, Bargemusic, and
Speculum Musicae; has collaborated with the Tokyo, Muir, Cassatt, and Manhattan
string quartets; and has premiered and recorded works by such composers as
Gunther Schuller, Ned Rorem, Paul Lansky, Henri Lazarof, Michael Daugherty, and
Ezra Laderman. A graduate of The Juilliard School and the New England
Conservatory, she has released compact discs on the Bridge, Etcetera, EDI,
Northeastern, and BCMS
labels. Ms. Lee is the Artistic Director of
the Essex Winter Series and has performed at Chestnut Hill Concerts since 1989.
A native of Western Pennsylvania, William Purvis
pursues a multifaceted career both in the U.S. and abroad as horn soloist,
chamber musician, conductor, and educator. A passionate advocate of new music,
Mr. Purvis has participated in numerous premieres as hornist and conductor,
including horn concerti by Peter Lieberson, Bayan Northcott and Penderecki (New
York Premiere), horn trios by Poul Ruders and Paul Lansky, and Sonate en Forme
de Préludes by Steven Stucky with Emanuel Ax in Carnegie Hall. Recent world
premieres include Paul Lansky's Day Trips for Horn and Wind Ensemble in
Carnegie Hall, and Elliott Carter's Retracing II for solo horn and Nine for
Five with the New York Woodwind Quintet.
Mr. Purvis is a member of the New York Woodwind Quintet,
the Orchestra of St. Luke's, Yale Brass Trio and Triton Horn Trio, and is an
emeritus member of Orpheus Chamber Orchestra. A frequent guest artist with the
Chamber Music Society of Lincoln Center and the Boston Chamber Music Society,
he has also collaborated with the Tokyo, Juilliard, Orion, Brentano,
Mendelssohn, Sibelius, Daedalus and Fine Arts string quartets, as well as
appearing at numerous international festivals. Mr. Purvis has recorded
extensively on many labels including Deutsche Grammophon, Sony Classical, and
Bridge, with a broad collection spanning from original instrument performance
to standard solo and chamber music repertoire to contemporary solo and chamber
music works, as well as numerous recordings of contemporary music as conductor.
Among many critically acclaimed recordings are Mozart Horn Concerti with
Orpheus Chamber Orchestra, Peter Lieberson Horn Concerto, Richard Wernick Horn
Quintet with the Juilliard Quartet, and works of Robert and Clara Schumann and
Paul Lansky. A Deep River resident, Mr. Purvis is Professor of Horn at The Yale
School of Music, where he is also Coordinator of Winds and Brasses and Director
of the Yale Collection of Musical Instruments.
Hyunah Yu's star has risen quickly since 1999, when she appeared as
a soloist in St. Matthew Passion with the New England Bach Festival, was a
prizewinner at the Walter Naumburg International Competition, and was a
finalist in both the Dutch International Vocal and Concert Artist Guild
International competitions. Her promise was confirmed just a few years later as
she received the coveted Borletti-Buitoni Trust Award, followed closely by her
acclaimed Carnegie Hall debut. She has enjoyed collaborations with many major
orchestras, including the Bournemouth, Seattle, Baltimore, and Milwaukee
Symphony orchestras, Rotterdam and Seoul Philharmonic orchestras, Concerto
Koln, Salzburg Camerata, Boston Baroque, Sejong Soloists, and the Yale Cellos,
to name a few. She has appeared at the Marlboro, Great Mountain, and Chamber
Music Northwest festivals and performed Beethoven's Ninth Symphony with
acclaimed conductors Myung Whun Chung, David Zinman, and Jaime Laredo. Ms. Yu
also performed Mahler's Symphony No. 8 with the Rotterdam Philharmonic and of
Valery Gergiev, and the Bach B minor Mass in Cologne with the Westdeutscher
Rundfunk under Semyon Bychkov. In chamber music and recitals, Ms. Yu has
enjoyed re-engagements with the Philadelphia Chamber Music Society, Baltimore's
Shriver Hall Concert Series, at Lincoln Center's Alice Tully Hall, the Phillips
Collection in Washington, D.C., and at the Bemberg Foundation in Toulouse,
France. Ms. Yu has premiered many pieces specifically written for her. Most
recently, she premiered the Symphony of Meditations by Aaron Jay Kernis with
the Seattle Symphony under Gerard Schwarz. A highlight of her impressive opera
career was the title role in Mozart's Zaide in New York, London, and Vienna
directed by Peter Sellars and conducted by Louis Langrée. She has recorded Bach
and Mozart arias for EMI and two solo recitals broadcast for the BBC. Ms. Yu
also holds a degree in Molecular Biology from the University of Texas at
Austin.
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