Monday, December 21, 2015

Milton Fisher Scholarship


Jillian Noyes
The Milton Fisher Scholarship for Innovation and Creativity provides scholarships to high school and college students who are unusually innovative and creative problem-solvers. This is a four-year Scholarship of up to $20,000 (granting awards of up to $5000 per year to each winner) for exceptionally Innovative and Creative High School Juniors, Seniors and College Freshmen who are from Connecticut or New York City Metro area (and plan to attend or are attending college anywhere in the U.S.) or who are from any part of the U.S. who plan to attend (or are attending) college in CT or NYC. This scholarship is administered by The Community Foundation for Greater New Haven.
Last year, eleven scholarships were awarded, along with seven honorable mentions. Details about these projects appear on the flyers and on the website: www.rbffoundation.org.
The 2016 ONLINE APPLICATION for the scholarship is accessible by clicking here. All eligible students are encouraged to apply.  Interested applicants must complete the Milton Fisher Scholarship Fund application on or before April 30, 2016. All supplemental materials must also be postmarked by that date. For more information, please email mfscholarship@gmail.com or contact Denise Canning at The Community Foundation for Greater New Haven at 203-777-7076 or dcanning@cfgnh.org.
Shoreline Arts Alliance is proud to recognize our 2015 Special Recognition Award Winner in Creative Writing, Jillian Noyes, of Old Saybrook High School who was a 2015 Milton Fisher Scholarship Winner.  Jillian's personal struggles with Asperger's Syndrome and her father's struggle with depression helped Jillian realize how little understanding there was of mental illness in her community.  The moving and powerful short doucmentary she porduced about mental illness in Connecticut, which included on-camera interviews with people dealing with mental illness themselves, helped break down prevalent myths, educate the public, and build awareness about issues society often prefers to ignore.

Internationally Renowned Juilliard Quartet Opens Essex Winter Series Season

Mihae Lee
The Essex Winter Series will launch its 39th season on January 10 with a performance by the Juilliard Quartet with pianist Mihae Lee at 3pm at Valley Regional High School in Deep River. This series founded by Fenton Brown in 1978 with a mission to bring the finest music, in live performance, to the Connecticut River Valley and Shoreline Region during the winter months. This concert series is renowned not only for their world-class artistic quality, but also for their extraordinary variety and friendly, informal atmosphere. Programs in the past have ranged from an intimate solo guitar recital to a full symphony orchestra. Programming includes both instrumental and vocal music performances and the Stu Ingersoll Jazz concert is an annual occurrence as is the Fenton Brown Emerging Artists concert presenting young performers.  
The first concert of this season will feature one of the country's most revered string quartets. This performance is part of the quartet’s international tour of America, Europe, and Asia in celebration of its 70th season. The Juilliard String Quartet will perform two favorites from the classical repertory, Mozart’s Dissonance Quartet and Beethoven’s String Quartet in F major, Op. 135, and will then be joined by Essex Winter Series artistic director and pianist Mihae Lee in the monumental F minor Piano Quintet of Brahms. The JSQ members are violinists Joseph Lin and Ronald Copes, violist Roger Tapping, and cellist Joel Krosnick, who will perform his 41st and final season with the quartet before his retirement later in 2016. 
“I am thrilled that the Juilliard Quartet will appear on the series, and I’m honored to perform with them, especially in Joel’s last season with the group,” says Mihae Lee. “They have such a fantastic history of performing old and new music at the highest level, and bringing great young players into the group over the years. The audience will really have a wonderful time – this concert should not be missed!”
Tickets, all general admission are $35, $5 for full-time students, and may be purchased on the EWS website, www.essexwinterseries.com, or by calling 860-272-4572.
About the Artists:
The Juilliard String Quartet, widely known as the quintessential American string quartet, celebrates the 2015/16 season, the Quartet’s 70th, with concert tours in North America, Europe and Asia; performances of Elliott Carter’s String Quartet No. 1 and a new work by Richard Wernick commissioned for them by the Philadelphia Chamber Music Society; and concerts honoring cellist Joel Krosnick at New York’s Alice Tully Hall, the Ravinia Festival and the Chamber Music Society of Detroit, featuring the Schubert Cello Quintet with guest cellist Astrid Schween who succeeds Mr. Krosnick in the fall of 2016. The Quartet also celebrates a groundbreaking new interactive app on Schubert’s “Death and the Maiden” Quartet, released in 2015 by Touchpress and the Juilliard School.

Founded in 1946, the Juilliard String Quartet was the first ensemble to play all six Bartok quartets in the United States, and its performances of Schoenberg’s quartets helped establish the works as cornerstones of the modern string quartet literature. The Quartet’s recordings of the Bartok and Schoenberg Quartets, as well as those of Debussy, Ravel and Beethoven won Grammy Awards, and in 2011 the Quartet became the first classical music ensemble to receive a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences. In 2014 Sony Classical reissued the Quartet’s landmark recordings of the first four Elliott Carter String Quartets together with the recently recorded Carter Quartet No. 5, making a complete historical document.

Over its seven decades, the Quartet has made manifest the credo of its founders to “play new works as if they were established masterpieces and established masterpieces as if they were new.” In addition to Carter and Wernick, the Quartet’s 2015/16 season repertoire features Schubert’s Quartettsatz, Mozart’s “Dissonance” Quartet, the Debussy Quartet and Beethoven’s Quartet Op. 135. Their collaborations also include the Brahms Piano Quintet with Mihae Lee, as well as the Brahms G major Sextet with cellist Marcy Rosen and former Juilliard Quartet violist Samuel Rhodes. Last season they toured North America, Asia and Europe with typically varied programming including Shulamit Ran’s Quartet No. 2, “Vistas”, works by Webern, Berg, Martinu and Elgar, as well as Schubert’s “Death and the Maiden” Quartet. In 2013 they premiered the String Quartet No. 3, “Whereof man cannot speak . . . ” by Jesse Jones.

Devoted master teachers, the members of the Juilliard String Quartet offer classes and open rehearsals when on tour. At The Juilliard School, where they are the String Quartet in Residence, all are sought-after members of the string and chamber music faculty. Annually in May, they are hosts of the 5-day internationally recognized Juilliard String Quartet Seminar.

In performance, recordings and incomparable work educating and training the major quartets of our time, the Juilliard String Quartet has carried the banner of the United States and The Juilliard School throughout the world.

Praised by Boston Globe as “simply dazzling,” Artistic Director and pianist Mihae Lee has been captivating audiences throughout North and South America, Europe, and Asia in solo recitals and chamber music concerts with her poetic lyricism and scintillating virtuosity. She has performed in such venues as Lincoln Center, the Kennedy Center, Jordan Hall, Berlin Philharmonie, Academia Nationale de Santa Cecilia in Rome, Warsaw National Philharmonic Hall, and Taipei National Hall.

An active chamber musician, Ms. Lee is a founding member of the Triton Horn Trio with violinist Ani Kavafian and French hornist William Purvis and was an artist member of the Boston Chamber Music Society for three decades.

Her recordings of Brahms, Shostakovich, Bartok, and Stravinsky with the members of BCMS were critically acclaimed by High Fidelity, CD Review, and Fanfare magazines, the reviews calling her sound “as warm as Rubinstein, yet virile as Toscanini.”

Ms. Lee has appeared frequently at numerous international chamber music festivals including Dubrovnik, Amsterdam, Groningen, Festicamara (Colombia), Great Woods, Seattle, OK Mozart, Mainly Mozart, Music from Angel Fire, Chamber Music Northwest, Rockport, Sebago-Long Lake, Bard, Norfolk, Mostly Music, Music Mountain, Monadnock, and Chestnut Hill Concerts. In addition to many years of performing regularly at Bargemusic in New York, she has been a guest artist with the Chamber
Music Society of Lincoln Center, St. Paul Chamber Orchestra, and Speculum Musicae; has collaborated with the Tokyo, Muir, Cassatt, and Manhattan string quartets; and has premiered and recorded works by such composers as Gunther Schuller, Ned Rorem, Paul Lansky, Henri Lazarof, Michael Daugherty, and Ezra Laderman.

In addition to her concert career, Ms. Lee maintains her commitment to give back to her community and help many worthy charities. At the invitation of the Prime Minister and the First Lady of Jamaica, she has organized and performed in concerts in Kingston and Montego Bay to benefit the Jamaica Early Childhood Development Foundation. For many years she brought world-class musicians, both classical and jazz, to perform in fund-raising concerts for the Hastings Education Foundation outside of New York City, and she recently launched an annual Gala Concert for the Community Health Clinic of Butler County, a free health clinic outside of Pittsburgh.

Born in Seoul, Korea, Ms. Lee made her professional debut at the age of fourteen with the Korean National Orchestra after becoming the youngest grand prizewinner at the prestigious National Competition held by the President of Korea. In the same year, she came to the United States on a scholarship from The Juilliard School Pre-College, and subsequently won many further awards including First Prize at the Kosciuszko Foundation Chopin Competition, the Juilliard Concerto Competition, and the New England Conservatory Concerto Competition. Ms. Lee received her bachelor’s and master’s degrees from The Juilliard School and her artist diploma from the New England Conservatory, studying with Martin Canin and Russell Sherman. She has released compact discs on the Bridge, Etcetera, EDI, Northeastern, and BCMS labels. Most recently, Ms. Lee was appointed Music Director of the Sebago-Long Lake Music Festival in Maine. 

 

Monday, December 14, 2015

Branford Messiah’s FREE 28th Annual Holiday Performance of Handel’s Messiah

A Shoreline performance of the Christmas portion of Handel’s Messiah is scheduled for Sunday, December 20 at 5:30pm in the First Congregational Church of Branford (on the Green). This will be a special performance this season as we celebrate the life of Ettie Minor Luckey, founder and artistic director of this wonderful holiday tradition 28 years ago, who passed away this past spring. In her honor the Branford Messiah will continue to bring this beloved piece of oratorio music to the citizens of the Shoreline.  Seasonal performances of Handel’s Messiah, for many, are as popular as performances of The Nutcracker and the Radio City Music Hall Christmas Show. The Branford Messiah production is offered to the community for free.  Ettie’s vision when she started this project was to present this classical piece at no admission cost so that all could enjoy this beautiful story set to music.  In many of Handel’s oratorios the choruses are overshadowed by the intricate and extensive solo parts.  But in Messiah, says Laurence Cummings, director of the London Handel Orchestra, "the chorus propels the work forward with great emotional impact and uplifting messages" (Smithsonian.com).  With these choruses, alternating with beautiful solos and outstanding orchestral accompaniment the host Churches on the Shoreline have been filled to capacity for 25 years and for many this performance is a highlight of the holiday season.   

It is because of the generosity of local businesses and individuals that this program has been sustained since its inception in 1987.  This 28th annual performance is once again being directed by Wesleyan University professor Roy Wiseman. Roy Wiseman is a conductor who has premiered dozens of works by American composers; he has conducted at the Norfolk Chamber Music Festival, the Kennedy Center, the Oregon Festival of American Music, the Goodspeed Opera House, the Yale Center for British Art, and the Palace Theater (New Haven). He is currently serving as Conductor of the Wesleyan University Orchestra, and is the founder and Artistic Director of both New World Consort, a chamber ensemble that specializes in American music, and Elite Syncopation, a ragtime/early jazz ensemble that tours nationally.  Soloists for the performance will be: Lielle Berman-soprano, Krysty Swann-mezzo soprano, Ed Hull-tenor and Jorell Williams-bass.  Joining them will be more than 50 community singers and a 14-piece orchestra. The performance is free to attend though a free will offering is greatly appreciated.  As this performance is always well attended it is suggested that you plan on arriving at least 20 minutes early to be assured of a seat.

More than 250 years after the death of George Frideric Handel , his oratorio Messiah has become synonymous with the Christmas season.  Though this work was originally created as an Easter offering and first performed in April of 1742, now it is performed regularly at this time of the year in concert halls throughout the world.  Handel composed this masterpiece in the summer of 1741 in less than four weeks, musically scored around the text written by Charles Jennens, a prominent librettist of the time.  Handel then premiered the work that following spring in Dublin, Ireland.  His choice of Dublin rather than London is often compared to the Broadway producers trying their shows out in New Haven before bringing them to the New York City audience (Smithsonian.com). It provided Handel the opportunity to gage reaction before presenting it to the London aficionados, which he successfully then did in March of 1743. 

For anyone who has ever attended a performance of this masterwork one knows that it is common practice for all to stand for the finale chorus “Hallelujah.”  Have you ever wondered why this is done?  I expect that there are many stories or reasons to explain this occurrence and many theories abound, the most common being that King George II, attending that London premiere of  Messiah in March of 1743, was so moved by the “Hallelujah’’ that he stood up - and if the king stands, everybody stands!  Whatever the reason, it is a wonderful tradition and a wonderful tribute to the orchestral and vocal performers (Smithsonian.com).

Arts Build Community: Community Engagement

The Arts Council of Greater New Haven is pleased to announce the third round of support for creative community engagement projects: Arts Build Community. Artists and arts organizations are invited to submit proposals for projects that actively engage community members in the creative process. We believe that participatory art making experiences can have a profound impact on our community. They can enrich the quality of community life, enhance the lives of individuals, and build connections between people. Small project stipends of $1,000 to $2,000 will be given to selected projects. 
Deadline for proposals is January 15, 2016. Successful proposals will suggest project activities and events that reflect an understanding of the community or relationship with target audience. To review the complete RFP requirements and submit your application, please visit the Arts Council website at http://www.newhavenarts.org/seeking-community-engagement-through-art-proposals or email info@newhavenarts.org or call 203-772-2788. Read more
Previous recipients include: Adam Christoferson’s Inspired Songs of New Haven, a song-writing project with youth,  adults with mental illness, and veterans dealing with PTSD;  an intergenerational drawing project led by the Free Artists of New Haven to create murals of Latino leaders in Fair Haven; a  project inviting the public to create Symbolic Healing Objects for children at Yale New Haven Children’s Hospital; and a series of workshops at neighborhood libraries with the artist Krikko,  where community members created portraits of their neighborhoods that will be displayed together as a neighborhood mosaic.