Showing posts with label Chamber Music. Show all posts
Showing posts with label Chamber Music. Show all posts

Monday, September 19, 2016

Collomore Concerts Open With Verona Quartet

On Sunday, September 25 at 5pm in the Chester Meeting House Collormore Concerts will launch its 43rd season of bringing quality performances to Connecticut. This opening concerts is the annual Barbara and Edmund Delaney Young Artists Concert. For more information or to purchase tickets click here.
The Verona Quartet was formed at Indiana University in 2013. Hailing from the USA, Canada and Singapore, they were the first Indiana Graduate String Quartet-in-Residence, which afforded them the opportunity to be mentored by the Pacifica Quartet. Winning top prizes in numerous prestigious international string quartet competitions such as the 2015 Concert Artists Guild Victor Elmaleh, the London International and the Osaka International Chamber Music Competitions has led to their performances on four continents.
In addition to their Lincoln Center Alice Tully Hall debut in 2016 under the auspices of the Juilliard School, they have performed at notable venues such as London’s Wigmore Hall, the John F. Kennedy Center for the Performing Arts in Washington and the Melbourne Recital Hall in Australia.
The Verona is currently the Graduate Resident String Quartet at the Juilliard School, where they work closely with members of the Juilliard String Quartet and teach during Juilliard’s academic year. They have also served as visiting artists and teachers at leading international institutions for music education including the Beethoven-Haus (Bonn, Germany), New York University-Abu Dhabi and the Oberlin Conservatory of Music.
Their strong passion for community engagement and education led them to establish a relationship with the city of Danville, Illinois, where from 2013 to 2015 they curated a concert series and gave outreach performances and master classes across elementary, middle and high schools, resulting in an increase in public school music class enrollment to almost double the average of the State of Illinois.
In less than three years, the Verona Quartet have established themselves as one of the most compelling young quartets in chamber music. The quartet consists of: Jonathan Ong-violin, Dorothy Ro-violin, Abigail Rojansky-viola and Warren Hagery-cello.
Chester native Robbie Collomore owned Chester’s local soda shop/general store. Located on Main Street in the center of Chester where the River Tavern is now, the soda fountain and the man behind its counter were often at the center of Chester life. You went there in the morning for your coffee and fresh gossip, and the Little League went there in the afternoon for celebratory ice cream cones.
Robbie was determined to help refresh another center of Chester life, the Old Meeting House, which dated back to the 1790s but had lost a lot of its fizz by the 1960s. He dreamed of restoring the building to its former glory days when chamber music concerts, barbershop quartets and even a visit from P.T. Barnum’s Tom Thumb brought refreshing entertainment to the town. Always upbeat, Robbie started drumming up plans to bring back musical events to the small building with the big acoustics. Robbie convinced Burton Cornwall, a New York City singer and noted voice teacher retired in Chester, to put on a concert to help raise funds to repair the Old Meeting House.
The proceeds of that 1961 concert featuring Burton Cornwall and friends was the cornerstone of a Chester Meeting House Cultural Series he and Robbie helped establish when they became founding members of the Chester Historical Society in 1970. The Cultural Series’ first musical concert in 1974 featured The Singing Editors.
Robbie Collomore’s dream for a refurbished Meeting House came true, and when he died in 1975, the Music Series was named in his honor. Burton Cornwall carried on Robbie’s dream, heading the series for five years, and endowing it as part of his estate when he died in 1980. Chester cultural stalwart Joan Matz carried on Robbie’s dream, leading the series for the next 20 years.

Monday, May 23, 2016

Project: Music Heals Us-Rescheduled from February Date

Molly Carr

Now in its second season, PROJECT: MUSIC HEALS US is a classical music concert series comprised of 11 concerts taking place throughout the 2015-2016 concert season (Sept-May) in the towns of Guilford, Madison, Branford, and Hamden, Connecticut: Five concerts in churches and six in hospitals and retirement homes.  There will be a performance on Friday, May 27 at 7pm at St. George Church on the Green, Guilford. This perfromance was rescheduled from February due to snow.  A pre-show talk will begin at 6:15pm and a meet and greet the artists will take place immediately following the performance. Tickets are $20 general mission and $5 for students and will be available at the door the night of the performance.
The theme of this concert is Intimate Letters and will feature works by Strauss, Janacek and Schoenberg. 
CHURCH CONCERTS: formal chamber music and solo recital concerts in the beautiful old churches of Guilford and Madison, Connecticut, with performances by alumni from the Chamber Music Society of Lincoln Center, the Marlboro Music Festival, the Juilliard School, the Manhattan School of Music, the Curtis Institute of Music, the Perlman Music Program, and more. The series' roster of musicians includes both up-and-coming artists of this generation as well as their performing artist mentors. Additionally, these concert evenings feature 45-minute pre-concert lectures as well as post-concert receptions with Q&A with the musicians. 
HEALING CONCERTS: concerts played for patients in nursing homes, hospitals, and hospices, as well as for those who are incarcerated in prisons and those staying in homeless shelters. These concerts are shorter versions of the formal church concerts with much more discussion and interaction with the audience.
While Guilford and Madison ARE close enough to New York City to take advantage of the high quality of the arts available at Lincoln Center, our desire is to bring the highest caliber of classical music to a population unable to travel or for other reasons take advantage of the arts available in New York City. Studies have shown that art performances in hospital settings not only help create a peaceful healing environment, but also aid in the healing process itself; patients exposed to the arts require fewer drugs, spend less time in the hospital, and have improved mental health.

Because music really IS able to heal, both those that receive and those that create, the main goal of the series is to share this healing power with the underserved of the Connecticut Shoreline, especially the elderly, hospitalized, rehabilitating, incarcerated, and homeless. 

The story of Project: Music Heals Us all comes down to a shard of glass. It was December 5th, 2013, the night before a chamber music concert tour across Israel, and I had decided it was time to attack an ominous stack of dirty dishes that had been collecting in the sink for a few too many days. It was upon completion of this daunting task that, to my horror, a neatly-stacked (and sparklingly clean, I might add!) glass bowl decided to hop off the drying rack and shatter itself into a million little pieces into... my hand.

The ensuing months were a string of somewhat discouraging doctor's appointments and painful probings –  attempts to remove the glass shards from my left-hand middle finger. During this three month long and viola-less process, I moved out to Guilford, Connecticut, to live with my grandparents for a while. I also decided to sign up for a nursing aide course with the American Red Cross in New Haven, Connecticut.

Part of this course included a week-long residency in the Arden House Nursing Center in Hamden, Connecticut, in which all of the students were given the opportunity to work one-on-one with a number of patients. During this time, there was one very special patient with whom I just plain fell in love: her name is Ruth. When it was my turn to work with her for the first time, I was given a preparatory warning of, "She doesn't respond. She can't speak. She's difficult to work with. She can't understand you. She's stubborn…”  But, to my amazement, when I entered her room and sat with her for a few minutes to hold her hand, she looked right at me and asked, "Where are you from? Do you have a boyfriend?" and other such questions. That night I was on cloud nine as I shared the story with my grandparents back in Guilford! I could hardly wait to visit her again. The next day, as I sat with her again, I was overjoyed to hear her speak in short, but complete sentences.  On the last day of the residency, as the students each said our teary goodbyes to the patients, I made sure to save a few extra minutes for Ruth. It was here that the idea of Project: Music Heals Us was born: As I sat with her, I revealed that my alter-ego was that of a classical musician who lived in NYC and hoped very much to be playing the viola again soon - and I promised that when I COULD play again I would come back and play for her.

The next day, I called my mom and said, "I want to start a concert series. I think I want it to be called Project: Music Heals Us." And with that, we started planning Season One...

Why Guilford?  Even though I grew up in Reno, Nevada, then studied at the Juilliard School, and now live in New York City, I feel very much like my second home is actually Guilford, Connecticut. Throughout my childhood, a portion of every summer was spent visiting my Granny and Grandad’s House on Fair Street. This tradition continued into my teen years, when I became a student of the Perlman Music Program and came to stay with my grandparents on my own each summer as I traveled on to Shelter Island, NY, for each session of summer music school. Then, as I entered college, it became my place of refuge from the craziness that is New York City when I made the big move from Reno. And now, although my grandparents have moved from their home of 50+ years to a Madison retirement home, Guilford will forever remain a family "haven" in my heart and mind.

"Giving back" to such a special town and community is an honor and a joy.

Monday, February 1, 2016

Neighborhood Music School Showcases Faculty in Free Public Concert Series




Neighborhood Music School (NMS) invites the public to its free Spring Faculty Concert Series beginning Saturday, March 5. The series features a variety of lunchtime and evening concerts which take place in the NMS Recital Hall, 100 Audubon St., New Haven.
The range of dates, times and musical genres means that the NMS faculty concert series has something for everyone! Join us for this free opportunity to hear professional musicians playing in a casual and fun atmosphere.
The series is perfect for drop-in visitors, downtown workers seeking live music to eat lunch by, and anyone looking for a fun, affordable evening out. Convenient, nearby parking is available at the Audubon Court Parking Garage.
Saturday, March 5, 7 p.m. – The Trumpet Shall Sing
Daniel Duncan, trumpet; featuring the Badollet Ensemble with Naomi Senzer, flute and guest Andrew Gordon, piano.  Works by Marc Delmas, Jacque Casterode, Alexandre Cellier and Vincent Bach.
Friday, March 11, 12 p.m. - Juxtapositions of Early Music and Contemporary Compositions
A Program of Early Music and Contemporary Repertoire performed on viols, recorders, modern strings, voice and keyboard. Featuring Julia Blue Raspe, voice & recorders; Marshall Barron, violin & tenor viol;
Grace Feldman, treble viol, bass viola da gamba & violin; Phoebe M. Barron, treble viol, bass viola da gamba, violin & recorders; Ros Morley, tenor viol & bass viola da gamba; and Margaret Ann Martin, keyboard.
Friday, March 11, 7 p.m. - Ragtime Syncopation 
Featuring Viara Albonetti, fiddle; Chris Radawiec, flute; Reesa Gringorten, clarinet; Yun-Yang Lin, cello; Art Hovey, tuba; George Melillo, piano. Pieces include “Elite Syncopations” by Scott Joplin and “The Ragtime Dance” by Harry Mills.
Saturday, March 19, 7 p.m. - From Russia with Soul: An Evening of African-American Spirituals and Russian Song
Featuring NMS Executive Director, Dan Gurvich, baritone; Tiffany Jackson, soprano; and Alexis Zingale, piano. Works by Harry Burleigh, John Musto, Tchaikovsky, Rachmaninoff and Bulat Okudzhava, including Ne Poi, Krasavitsa by Sergei Rachmaninoff and Litany by John Musto.
Friday, April 1, 7 p.m. - German Romantics
Terrence B. Fay, tenor and trombone with Alexis Zingale, piano. Works by Schubert and Weber, featuring songs from Schumann’s “Liederkreis.”
Friday, April 8, 7 p.m. – Four is the Magic Number
Gretchen Frazier, violin; Bethany Wilder, viola; Yun-Yang Lin, cello; Ingeborg Schimmer, piano; Piano quartet KV 493 in Eb by W. A. Mozart; Bagatelles, Op. 47 by Antonin Dvořák.
Neighborhood Music School (NMS) is the largest non-profit community arts organization in Connecticut and one of the 10 largest in the country. Founded in 1911 as part of the settlement house movement serving new immigrants to New Haven and now serving more than 3,000 students from 80-plus cities and towns annually, NMS continues its mission to create community, spark potential and share joy through the arts.  NMS students, ranging in age from toddlers to seniors in their 90’s, and representing a diversity of socioeconomic backgrounds, study music, dance and drama and participate in over 100 weekly ensembles. NMS offers individual and group instruction on over 30 instruments and presents more than 250 performances and events each year.  NMS also houses a certified arts-integrated preschool, several summer programs and provides over $220,000 in financial


aid and tuition support for more than 500 students each year, including nearly 100 from the New Haven Public Schools.

Monday, January 25, 2016

Project: Music Heals Us


Now in its second season, PROJECT: MUSIC HEALS US is a classical music concert series comprised of 11 concerts taking place throughout the 2015-2016 concert season (Sept-May) in the towns of Guilford, Madison, Branford, and Hamden, Connecticut: Five concerts in churches and six in hospitals and retirement homes.  There will be a performance on Friday, February 5 at 7pm at St. George Church on the Green, Guilford. A pre-show talk will begin at 6pm and a meet and greet the artists will take place immediately following the performance. Tickets are $20 general mission and $5 for students and will be available at the door the night of the performance.
The theme of this concert is Intimate Letters and will feature works by Strauss, Janacek and Schoenberg. 
CHURCH CONCERTS: formal chamber music and solo recital concerts in the beautiful old churches of Guilford and Madison, Connecticut, with performances by alumni from the Chamber Music Society of Lincoln Center, the Marlboro Music Festival, the Juilliard School, the Manhattan School of Music, the Curtis Institute of Music, the Perlman Music Program, and more. The series' roster of musicians includes both up-and-coming artists of this generation as well as their performing artist mentors. Additionally, these concert evenings feature 45-minute pre-concert lectures as well as post-concert receptions with Q&A with the musicians. 
HEALING CONCERTS: concerts played for patients in nursing homes, hospitals, and hospices, as well as for those who are incarcerated in prisons and those staying in homeless shelters. These concerts are shorter versions of the formal church concerts with much more discussion and interaction with the audience.
While Guilford and Madison ARE close enough to New York City to take advantage of the high quality of the arts available at Lincoln Center, our desire is to bring the highest caliber of classical music to a population unable to travel or for other reasons take advantage of the arts available in New York City. Studies have shown that art performances in hospital settings not only help create a peaceful healing environment, but also aid in the healing process itself; patients exposed to the arts require fewer drugs, spend less time in the hospital, and have improved mental health.

Because music really IS able to heal, both those that receive and those that create, the main goal of the series is to share this healing power with the underserved of the Connecticut Shoreline, especially the elderly, hospitalized, rehabilitating, incarcerated, and homeless. 

The story of Project: Music Heals Us all comes down to a shard of glass. It was December 5th, 2013, the night before a chamber music concert tour across Israel, and I had decided it was time to attack an ominous stack of dirty dishes that had been collecting in the sink for a few too many days. It was upon completion of this daunting task that, to my horror, a neatly-stacked (and sparklingly clean, I might add!) glass bowl decided to hop off the drying rack and shatter itself into a million little pieces into... my hand.

The ensuing months were a string of somewhat discouraging doctor's appointments and painful probings –  attempts to remove the glass shards from my left-hand middle finger. During this three month long and viola-less process, I moved out to Guilford, Connecticut, to live with my grandparents for a while. I also decided to sign up for a nursing aide course with the American Red Cross in New Haven, Connecticut.

Part of this course included a week-long residency in the Arden House Nursing Center in Hamden, Connecticut, in which all of the students were given the opportunity to work one-on-one with a number of patients. During this time, there was one very special patient with whom I just plain fell in love: her name is Ruth. When it was my turn to work with her for the first time, I was given a preparatory warning of, "She doesn't respond. She can't speak. She's difficult to work with. She can't understand you. She's stubborn…”  But, to my amazement, when I entered her room and sat with her for a few minutes to hold her hand, she looked right at me and asked, "Where are you from? Do you have a boyfriend?" and other such questions. That night I was on cloud nine as I shared the story with my grandparents back in Guilford! I could hardly wait to visit her again. The next day, as I sat with her again, I was overjoyed to hear her speak in short, but complete sentences.  On the last day of the residency, as the students each said our teary goodbyes to the patients, I made sure to save a few extra minutes for Ruth. It was here that the idea of Project: Music Heals Us was born: As I sat with her, I revealed that my alter-ego was that of a classical musician who lived in NYC and hoped very much to be playing the viola again soon - and I promised that when I COULD play again I would come back and play for her.

The next day, I called my mom and said, "I want to start a concert series. I think I want it to be called Project: Music Heals Us." And with that, we started planning Season One...

Why Guilford?Even though I grew up in Reno, Nevada, then studied at the Juilliard School, and now live in New York City, I feel very much like my second home is actually Guilford, Connecticut. Throughout my childhood, a portion of every summer was spent visiting my Granny and Grandad’s House on Fair Street. This tradition continued into my teen years, when I became a student of the Perlman Music Program and came to stay with my grandparents on my own each summer as I traveled on to Shelter Island, NY, for each session of summer music school. Then, as I entered college, it became my place of refuge from the craziness that is New York City when I made the big move from Reno. And now, although my grandparents have moved from their home of 50+ years to a Madison retirement home, Guilford will forever remain a family "haven" in my heart and mind.

"Giving back" to such a special town and community is an honor and a joy.

Monday, December 21, 2015

Internationally Renowned Juilliard Quartet Opens Essex Winter Series Season

Mihae Lee
The Essex Winter Series will launch its 39th season on January 10 with a performance by the Juilliard Quartet with pianist Mihae Lee at 3pm at Valley Regional High School in Deep River. This series founded by Fenton Brown in 1978 with a mission to bring the finest music, in live performance, to the Connecticut River Valley and Shoreline Region during the winter months. This concert series is renowned not only for their world-class artistic quality, but also for their extraordinary variety and friendly, informal atmosphere. Programs in the past have ranged from an intimate solo guitar recital to a full symphony orchestra. Programming includes both instrumental and vocal music performances and the Stu Ingersoll Jazz concert is an annual occurrence as is the Fenton Brown Emerging Artists concert presenting young performers.  
The first concert of this season will feature one of the country's most revered string quartets. This performance is part of the quartet’s international tour of America, Europe, and Asia in celebration of its 70th season. The Juilliard String Quartet will perform two favorites from the classical repertory, Mozart’s Dissonance Quartet and Beethoven’s String Quartet in F major, Op. 135, and will then be joined by Essex Winter Series artistic director and pianist Mihae Lee in the monumental F minor Piano Quintet of Brahms. The JSQ members are violinists Joseph Lin and Ronald Copes, violist Roger Tapping, and cellist Joel Krosnick, who will perform his 41st and final season with the quartet before his retirement later in 2016. 
“I am thrilled that the Juilliard Quartet will appear on the series, and I’m honored to perform with them, especially in Joel’s last season with the group,” says Mihae Lee. “They have such a fantastic history of performing old and new music at the highest level, and bringing great young players into the group over the years. The audience will really have a wonderful time – this concert should not be missed!”
Tickets, all general admission are $35, $5 for full-time students, and may be purchased on the EWS website, www.essexwinterseries.com, or by calling 860-272-4572.
About the Artists:
The Juilliard String Quartet, widely known as the quintessential American string quartet, celebrates the 2015/16 season, the Quartet’s 70th, with concert tours in North America, Europe and Asia; performances of Elliott Carter’s String Quartet No. 1 and a new work by Richard Wernick commissioned for them by the Philadelphia Chamber Music Society; and concerts honoring cellist Joel Krosnick at New York’s Alice Tully Hall, the Ravinia Festival and the Chamber Music Society of Detroit, featuring the Schubert Cello Quintet with guest cellist Astrid Schween who succeeds Mr. Krosnick in the fall of 2016. The Quartet also celebrates a groundbreaking new interactive app on Schubert’s “Death and the Maiden” Quartet, released in 2015 by Touchpress and the Juilliard School.

Founded in 1946, the Juilliard String Quartet was the first ensemble to play all six Bartok quartets in the United States, and its performances of Schoenberg’s quartets helped establish the works as cornerstones of the modern string quartet literature. The Quartet’s recordings of the Bartok and Schoenberg Quartets, as well as those of Debussy, Ravel and Beethoven won Grammy Awards, and in 2011 the Quartet became the first classical music ensemble to receive a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences. In 2014 Sony Classical reissued the Quartet’s landmark recordings of the first four Elliott Carter String Quartets together with the recently recorded Carter Quartet No. 5, making a complete historical document.

Over its seven decades, the Quartet has made manifest the credo of its founders to “play new works as if they were established masterpieces and established masterpieces as if they were new.” In addition to Carter and Wernick, the Quartet’s 2015/16 season repertoire features Schubert’s Quartettsatz, Mozart’s “Dissonance” Quartet, the Debussy Quartet and Beethoven’s Quartet Op. 135. Their collaborations also include the Brahms Piano Quintet with Mihae Lee, as well as the Brahms G major Sextet with cellist Marcy Rosen and former Juilliard Quartet violist Samuel Rhodes. Last season they toured North America, Asia and Europe with typically varied programming including Shulamit Ran’s Quartet No. 2, “Vistas”, works by Webern, Berg, Martinu and Elgar, as well as Schubert’s “Death and the Maiden” Quartet. In 2013 they premiered the String Quartet No. 3, “Whereof man cannot speak . . . ” by Jesse Jones.

Devoted master teachers, the members of the Juilliard String Quartet offer classes and open rehearsals when on tour. At The Juilliard School, where they are the String Quartet in Residence, all are sought-after members of the string and chamber music faculty. Annually in May, they are hosts of the 5-day internationally recognized Juilliard String Quartet Seminar.

In performance, recordings and incomparable work educating and training the major quartets of our time, the Juilliard String Quartet has carried the banner of the United States and The Juilliard School throughout the world.

Praised by Boston Globe as “simply dazzling,” Artistic Director and pianist Mihae Lee has been captivating audiences throughout North and South America, Europe, and Asia in solo recitals and chamber music concerts with her poetic lyricism and scintillating virtuosity. She has performed in such venues as Lincoln Center, the Kennedy Center, Jordan Hall, Berlin Philharmonie, Academia Nationale de Santa Cecilia in Rome, Warsaw National Philharmonic Hall, and Taipei National Hall.

An active chamber musician, Ms. Lee is a founding member of the Triton Horn Trio with violinist Ani Kavafian and French hornist William Purvis and was an artist member of the Boston Chamber Music Society for three decades.

Her recordings of Brahms, Shostakovich, Bartok, and Stravinsky with the members of BCMS were critically acclaimed by High Fidelity, CD Review, and Fanfare magazines, the reviews calling her sound “as warm as Rubinstein, yet virile as Toscanini.”

Ms. Lee has appeared frequently at numerous international chamber music festivals including Dubrovnik, Amsterdam, Groningen, Festicamara (Colombia), Great Woods, Seattle, OK Mozart, Mainly Mozart, Music from Angel Fire, Chamber Music Northwest, Rockport, Sebago-Long Lake, Bard, Norfolk, Mostly Music, Music Mountain, Monadnock, and Chestnut Hill Concerts. In addition to many years of performing regularly at Bargemusic in New York, she has been a guest artist with the Chamber
Music Society of Lincoln Center, St. Paul Chamber Orchestra, and Speculum Musicae; has collaborated with the Tokyo, Muir, Cassatt, and Manhattan string quartets; and has premiered and recorded works by such composers as Gunther Schuller, Ned Rorem, Paul Lansky, Henri Lazarof, Michael Daugherty, and Ezra Laderman.

In addition to her concert career, Ms. Lee maintains her commitment to give back to her community and help many worthy charities. At the invitation of the Prime Minister and the First Lady of Jamaica, she has organized and performed in concerts in Kingston and Montego Bay to benefit the Jamaica Early Childhood Development Foundation. For many years she brought world-class musicians, both classical and jazz, to perform in fund-raising concerts for the Hastings Education Foundation outside of New York City, and she recently launched an annual Gala Concert for the Community Health Clinic of Butler County, a free health clinic outside of Pittsburgh.

Born in Seoul, Korea, Ms. Lee made her professional debut at the age of fourteen with the Korean National Orchestra after becoming the youngest grand prizewinner at the prestigious National Competition held by the President of Korea. In the same year, she came to the United States on a scholarship from The Juilliard School Pre-College, and subsequently won many further awards including First Prize at the Kosciuszko Foundation Chopin Competition, the Juilliard Concerto Competition, and the New England Conservatory Concerto Competition. Ms. Lee received her bachelor’s and master’s degrees from The Juilliard School and her artist diploma from the New England Conservatory, studying with Martin Canin and Russell Sherman. She has released compact discs on the Bridge, Etcetera, EDI, Northeastern, and BCMS labels. Most recently, Ms. Lee was appointed Music Director of the Sebago-Long Lake Music Festival in Maine.